This evening at 20.30 in the bookstore dreams carriers (C / White, 4) Mercedes Cebrián writer presents his latest book Zaragoza, The new taxidermy , published by Mondadori.
everyday heroines, who has to confront the fragility of memory-one and this one, are the protagonists of the two novellas, 'What I was immortal' and 'Voice of giving bad news "-excellent titles, which are The new taxidermy. The procedure followed in separate confrontations Cebrián Mercedes is the new art of dissecting the title. Taxidermy that has nothing to do with animals but with people, things, memories or puppets, and that all load ink within the meaning of death that has meaning but in life. Because the taxidermy is give the appearance of life to what does not, rather what we think it does not, and that is precisely where scrupulous attention fixed the writer. To give life and meaning to open, seeking solutions to the insecurity of a fragile characters who are about to break as it breaks the ice cream cone. And solutions are what happens every day and comes across us. An ounce of chocolate left in a pocket or a sock. So begins 'Voice of giving bad news': "It removes one a sock, I sheathed in hand like a glove, some system idea to place an eyeglass frame or glued circles that serve as eyes and you have an expressive puppet glove just called , which give life and (...) This personality characteristic is the basis for insult, praise, shouting and complaining from another voice, from a sock with glasses. "add life to life, put a plug that can save a hurry if necessary.
The heroines of the two stories he tells this writer need another life, born of a sock or a madeleine proust type or one ounce of chocolate pierre Menard Athenian or a vessel whose pieces must be rebuilt, pieces of the everyday, ordinary, indeed, what I would say infraordinario George Perec also translated a book by Mercedes Cebrián . Perhaps a home impossible, but for a time with enough light to illuminate the life that had not previously.
With an acute sense of observation and precise language so that is an original hyper critical realism, Mercedes Cebrián literature is a kind of phenomenology of everyday life, which studies the relationship between daily events and how they present themselves in consciousness, both of the writer and his characters, and puts in perspective the temporal world in which we live, characterized by the use of objects and experiences, identity crisis and alienation transparent.
critic Ricardo Senabre wrote that "Mercedes Cebrián set out for more than others [of his generation] to one of the first canon of literature: the ability to provide angles of reality, looks capable unforeseen and verbal associations to achieve what Fernando de Herrera attributed to poetry as something fundamental: that, thanks to the special handling of language that the author practices, ordinary things seem new. " And at the end of his review, Senabre cite some of these pages that one has made in reading among their favorites. Then copy a page of 'What immortal I have been' that exemplifies the uniqueness of the style of Mercedes Cebrián, a writer with each new release more and more surprising, a poet who writes with divining rod, writer and insightful social criticism writer, traveling in vitro, which is capable with a single sentence to trial. If you are in Zaragoza and curious, rub through carriers, and if you have not read a Mercedes, read it.
critic Ricardo Senabre wrote that "Mercedes Cebrián set out for more than others [of his generation] to one of the first canon of literature: the ability to provide angles of reality, looks capable unforeseen and verbal associations to achieve what Fernando de Herrera attributed to poetry as something fundamental: that, thanks to the special handling of language that the author practices, ordinary things seem new. " And at the end of his review, Senabre cite some of these pages that one has made in reading among their favorites. Then copy a page of 'What immortal I have been' that exemplifies the uniqueness of the style of Mercedes Cebrián, a writer with each new release more and more surprising, a poet who writes with divining rod, writer and insightful social criticism writer, traveling in vitro, which is capable with a single sentence to trial. If you are in Zaragoza and curious, rub through carriers, and if you have not read a Mercedes, read it.
"memories occupy the space and the look you choose for them: a form of diary, travel journal d tickes stuck with that simply paint peeling over time, the album with metal rings and self-adhesive sheets to put on and remove photos at will, a DVD with images from an old Betamax. You can try and improve if the format chosen is a digital image by adjusting lighting, tones are corrected (if it is lawful to correct what bothers us a living old) and stored on a hard disk.
By contrast, the tridimensionalización of emotions from the past via rent and reconstruction of scenes [that is what makes the star of 'What immortal I have been 'a party to remember, to remember by rebuilding not imaginary but physically] is more like water meter groundnuts, dried tomatoes, natural sponge seems fossilized but, after immersion in liquid recovered qualities its inherent fluffiness. I can say I am getting into romojo that party. But party, just like that, sounds like party blowers, streamers and piñata, when his replacement is more like a bike to do: could swear that moves but in fact does not lead us anywhere, if we insist on considering the distances as a symbol of something. I used to keep both in one place and in good shape. Causes can go ahead but in another sense. "
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